Some pawpaws on a tree, blue sky in background.

Sydney Harbour Bridge and pylons in the foreground. The Sydney Opera House is visible in the middle distance.

When climate adaptation exacerbates the problems

Maladaptation is usually understood as referring to the unintended consequences of well-meant measures to reduce climate vulnerability. But it also includes the fallout from decisions that favour technical fixes over more holistic approaches.

Climate adaptation is not a neutral or apolitical process. It can perpetuate problematic approaches, including colonial land practices and the exclusion of Indigenous voices. This can create tenuous resource distribution, erode democratic governance and compromise Indigenous sovereignty, exacerbating vulnerabilities. It can also subvert community-driven bottom-up adaptation, instead focusing on national agendas caught up in international politics.

Useful points in this Conversation article by Ritodhi Chakraborty and Claire Burgess:

Climate adaptation projects sometimes exacerbate the problems they try to solve – a new tool hopes to correct that

Along the coast of Bangladesh, seawater is flooding fields behind flood barriers.  Sushavan Nandy/NurPhoto via Getty Images

Blue, purple and red

A street with jacarandas, an Illawarra flaw tree and blue skies

Glorious

Blue sky and water. Older people are swimming in marked lanes between piers.

Seven years ago today, while I was on my way to Phuentsholing in Bhutan for work

Monkey perched at the side of a road. Green forests are visible behind them, with hills in the distance.

🌳🟣📷

Jacaranda tree in foreground, skyscrapers behind.

New Zealand city terrorised by Céline Dion ‘speaker battles’ 📢

A small city in New Zealand plagued by “siren battles” – cars decked out in loudspeakers commonly used in emergency warning systems and often blaring Céline Dion hits – is calling on authorities to step in and end the noise.

The battles are part of a New Zealand subculture where music enthusiasts cover their cars in up to dozens of industrial speakers, loudhailers and sirens, then compete to have the loudest and clearest sounds.

Siren kings: New Zealand city terrorised by Céline Dion ‘speaker battles’

Three loud hailers mounted to a car

Grayscale photo of an underground pedestrian tunnel

Fragile Microsoftulinity

A camouflage Microsoft mouse

Perfect day in Sydney today 📷

Circular Quay in Sydney with green water in foreground and skyscrapers in background.

Our Frasier Remake

Jacob Reed asked 130 artists and animators to create scenes from the season 1 finale of Frasier My Coffee with Niles in different styles. The results are sublime.

Our Frasier Remake

Animation frame. Two hands clapping in a star field, text states "Frasier Five"

Pooled

Public pool

Sunny 📷

Sunflower

The plastipelago: Indonesia’s encounter with the “plasticene” has led to a naïve and hasty government effort to rebrand waste as an asset

This alchemic-like ambition to turn discarded plastics into new objects can also be seen at the hands of government agencies. One such example, is the efforts of the Indonesian Ministry of Public Works and Public Housing (MoPWH) to incorporate discarded single-use plastics into road tar for building national roads in the country. According to Danis Sumadilaga, the head of the Agency for Research and Development at the MoPWH, mixing plastic waste with asphalt will result in stronger and more stable roads.

While it is certainly better to have wild plastic discards sequestered inside a road, rather than scattered in the environment or buried deep inside animals’ entrails, this development undoubtedly erects a speed bump on the road towards the nationwide ban on single-use plastics. In other words, mixing single-use plastics with asphalt makes plastic appear as unproblematic. To return to the concept of Plasticene, the plastic road is representative of both the human alteration—the plastification—of the environment, and the blind assumption that the circular economy can coalesce economic growth with sustainability.

The plastipelago

A male labourer working for a pengepul in Sumbawa feeds plastic into a press machine

An ibis in profile

Hokusai and Contemporary Art: Pop Art, Superflat, and Beyond

Talk delivered by Kendall deBoer, curatorial assistant, Department of Contemporary Art, Museum of Fine Arts, Boston.

Wednesday, May 31, 2023

Image by Yoshitomo Nara

An iconoic artwork The Great Wav by Hokusai, depicting an offshore wave, turned on its side. Next to it is a version that has been reworked to add an arm and a knife, stabbing. The image makes the viewer consider the work in a different light.

👌🏼

A bed of plastic blue pin-like boards, allowing you to imprint shapes. This one shows a hand giving the okay gesture with index and thumb forming a cicle, and the other three fingers splayed.

You’re born, you take shit. You get out in the world, you take more shit. You climb a little higher, you take less shit. Till one day you’re up in the rarefied atmosphere and you’ve forgotten what shit even looks like. Welcome to the layer cake son.

Michael Gambon’s most iconic performance will always be Eddie Temple.

Michael Gambon as Eddie Temple in the film Layer Cake (2004). Depicts an older man dressed formally  a waistcoat, reclining in a chair.

Humanity's mutilation of the tree of life

During past mass extinctions there was no species with the power or interest to stop extinctions, and no conscious stake in maintaining biodiversity. Today there is a species that should know it is not able to wait millions of years for its life-support systems to be restored after a mass extinction. Ironically, the scale that species’ activities is the sole cause of today’s biological holocaust.

What is crystal clear is that the trajectory of the dimming future of civilization will be directed in part not just by the overall loss of biodiversity but by the pattern of our mutilation of the tree of life.

Mutilation of the tree of life via mass extinction of animal genera (https://www.pnas.org/doi/10.1073/pnas.2306987120)

Simple schematic representation of the mutilation of the Tree of life because of generic extinctions and extinction risks. The bottom half of the tree depicted as dead branches shows examples of the extinct genera, and the upper half shows examples of genera at risk of extinction.