The friendly, sad bloke at the cafe

A greyscale image of a small dog looking at the camera.

“Playing with conventions, literary or social, taking them apart and exposing them as scaffolding that hides rather than reveals truths can be threatening to those who think they know exactly how the world is supposed to turn. The Trilogy repositions the reader. It forces her to see the world differently. That’s the magic.”

Remembering Paul Auster lithub.com

Reader: lithub.com





Attention cyberloafers

Text shot: Fig. 1 represent the hypothesized structural model with following hypothesizes:&10;H1: Students' cyberloafing behavior has a positive effect on disengagement of students in online learning.&10;H2: Students' satisfaction has a negative effect on disengagement of students in online learning.&10;H3: Self-regulation skills has a negative effect on disengagement of student in online learning.&10;H4: Self-regulation skills has a negative effect on cyberloafing behavior of student in online learning.&10;H5: Self-regulation skills has a positive effect on students' satisfaction in online learning.

Bit harsh on Whitlam

Poster saying never trust a pollie. Shows a politician who looks like Whitlam standing at a microphone, with the mic cord emptying liquid into a stormwater drain.



At the turn of the 21st century, corrugated cardboard accounted for just fifteen percent of the U.S. recycling stream. Today, it’s nearly half.

World in a Box: Cardboard Media and the Geographic Imagination placesjournal.org

Archiving...

Image credit Title: Piles of recycling waiting to be sorted Creator: World Resources Institute Date: 2019 Type: Colour digital photo Rights: Creative Commons CC BY-NC-SA 2.0

 A mountain of cardboard waste


Utopian Realism, a speech by Bruce Sterling

This is a great read, especially for anyone who’s spent time in Turin

A basic Turinese problem here is that Torino is progressive, but a heritage tourist industry, which is very attractive to tourists, has no avant-garde. Their stifling interest in your past holds you back. You can’t do “futuristic heritage industry.” Why? Because you can’t move forward into the past.

Utopian Realism, a speech by Bruce Sterling bruces.medium.com

Reader: bruces.medium.com

Image credit Title: Turin Creator: Ben Harris-Roxas Date: 20 April 2017 Type: Colour digital photo Rights: Creative Commons BY-NC-ND 2.0



“The desire of privilege and the taste of equality are the dominant and contradictory passions of the French of all times.” The crisis in French identity since De Gaulle

Interesting article on France diminished global influence and the crisis this represents for their national identity:

One would have to go back 20 years to find a moment when Paris last demonstrated the will to step out from beneath the shadow of the U.S. and exercise a critically important decision on its own. In 2003, it opposed the U.S. invasion of Iraq. French diplomacy, under the auspices of Prime Minister Dominique de Villepin, effectively cemented a coalition with Germany and Russia, depriving the American initiative of international legitimacy. Since that time, France has once more found its place in European affairs to be subordinate to Germany and within the orbit of U.S. countenance.

Macron and the French Identity Crisis intpolicydigest.org

Archiving...

Timely, given the ongoing crisis in New Caledonia.

Image credit Title: Incendies sur Nouméa Creator: Lilian Alizert Date: 16 May 2024 Type: Colour digital photo Rights: Copyright Lilian Alizert

Smoke trailiing above a tropical city along a shoreline. The site is Noumea, New Caledonia.

A deco-like brick spire on top of a church, with blue sky in the background.

A path between trees. Beyond there is sunlight and the outline of a building.

An abstract monochrome photo. Diagonal lines with water in between, which reflects a building

A sign mounted to a wall that says "Parramatta Justice Precinct is under constant surveillance by cameras and security patrols"


"One thing I do have confidence in is my feeling"

A really interesting interview with André 3000 by Hanif Abdurraqib:

“The thing is, I can only give what I’m feeling. I’m interested in discovery. If there’s not any discovery, it doesn’t feel real to me. I’ve never considered myself the best producer or the best singer or the best rapper or any of those separate categories. But one thing I do have confidence in is my feeling.”

André 3000 is at peace - The Bitter Southerner

A photograph of André3000, a smiling black man wearing a red beanie and orange glasses, wearing overalls.